Lighting In Nature Photography

In nature photography, there are few things more significant in the outcome of pictures taken than good lighting. People have it easy when doing studio shots – they can control the lighting and angles, but finding the right amount of light is more difficult when taking nature photos. The lighting is just part of the picture, but an important one, as well as being able to deal with not being able to control your subject.

Of course for the seasoned photographer, natural light is no longer a hindrance. These photographers use their years of seasoning to make boring pictures look stunning with the help of natural light, among other effects. This results on photos with good use of shadows, or those that capture the sky’s different shades. This is especially true with landscape shots or those that capture flowers and other objects in the environment.

Light can have a lot of sources. In the morning, there is the sunlight while in the evening, there is the moonlight. The next significant type of light is natural light, which is a bit harder to find than the sun or the moon’s lighting. These are all good sources of light in nature photography. The trick is to know how to use it by angling the camera and the subject to achieve the exposure that you want.

By assessing how the light affects the subject, or the effect of the shadows cast on it, you can get a better idea of which angle to use. Many nature photographers desire a dramatic effect, so what they would do is use the shadows as their main source of light instead of the natural light.

Here are the four directions you would need to learn if you wish to use outside lighting to your advantage. Overhead lighting casts rough shadows and the contrast tends to increase if this is used. This is achieved when the light is directly above the subject like when it is noontime. Avoid using frontal lights to avoid a flat, dull-looking picture.

You would usually see this effect if your camera uses flash. These pictures are dull to look at, lacking severely in depth. You may need another fill or place a reflector in the back to get optimum color when shooting with light at the back. Without a reflector, pictures may turn flat as well.

Shooting with the light at the side is perhaps the most recommended when it comes to the direction as this will bring out the texture and the shape of the subject that one is using. For instance, with a light on the side, there will be parts that will be highlighted and parts that are not.

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